FICHIER GUITAR PRO v4.00n!!d d 0 0YYDD                                                 V cIntro Verse 1 Chorus Pre-chorus Chorus BridgeGuitar (Brad Delson)?:61,%Bass (Phoenix)*% (Sampler (Joseph Hahn)@;72-(Piano (Mike Shinoda)@;72-&Sampler 3 (Low strings)+&!(  Sampler 4@;72-( &Drums and sampler(Rob Bourdon and Joe) WLyrics (Chester)@;72-(Backvocals (Mike Shinoda)@;72-(@@@P^@f@(@ @ @ @ @ @ @ @@@@@@@@@@@@@@  @  @  @@@ @@@@@@@@@@@@@ @ @ @ @ @ @ @ P   @(@ * # $ ,@@ ,4   *  , ,4   ,4 *  @@@@@@@@@@@@ @ @ @ @ @  @  @  P @(@ *4# ,@@ ,4   P4 *P4 *P4 *  ,4   @@@@@@@@@@@@ @ @ @ @ @ @  @ P @  @( @ *4# ,@@ ,4   *  , ,4   ,4 *4   @@Distortion: Fade In ((              @@ @ @ @ @ @  @  @  P @(@ *4# , *  ,4    * * * @@@@@@    @ @ @ @ @ @ @ @  @   @   @   @   @@ R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *@@    @ @ @ @ @ @  @  @   @   @   @  @  @@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *@@    @ @ @ @ @ @ @  @  @   @   @   @   @@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *@@      @ @ @ @ @ @  @  @   @   @   @  @  @@  . $ * . . ( . * . $ . . * . $ . . (@@@ @ @ @ @ @ @ @ @ The verse is 98% correcth  4@Y P   Drums with sampled drumsr 1 F , $p   *p  F |   ,  %p  F ,p   2 F * $0  ,0 F 0  *2 F * $0  < F *  %0  ,0 F 0   D! 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(P  .P  *R  . $P  . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @   @        @ @   @   @  @  @@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you @ @ @ @ @ @  @@@    @ @   @   @   @   @@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *there@ @ @ Become so@ @ @ @ @ @@          @ @   @   @  @  @@  . $ * . . ( . * . $ . . * . $ . . (tired@ @  So much more@ @ @ @  aware@ @  @@@    @ @   @   @   @   @@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *@ @  I'm becoming@ @ @ @ @ @ @        @ @   @   @  @  @@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *this@ @  All I want@ @ @ @ to@ @  @@@    @ @   @   @   @   @@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *do@ @  Is be more@ @ @ @ like@ @ @           @ @   @   @  @  @@ . $ * . . ( . * . $ . . * . $ . ( ( ( (me@ @  And be less@ @ @ @ like@ @      Clean sound: Natural harmonic( (  ( ( ( (  @X  4@Y P   r 1 F , $p  F *p  F |  F ,  (p  F ,p  F r  F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F you@ @ Can't you see that you're@ @ @ @ @ @  @@@( (  ( ( ( (  @X  4@P  P  2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  smothering me@ @ @ @ @ @ @@@( (  ( ( ( ( @ @T  4@X   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F Holding too tightly@ @ @ @ @   Afraid @( (  ( ( ( (  @X  4@X   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  to lose control        @( (  ( ( ( (  @R  4@Y P   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F #"'Cause everything that you thought 4      @( (  ( ( ( (  @X  4@P  P  2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  I would be       Has<@( (  ( ( ( ( @ @T  4@X   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F  fallen apart      Right  @( (  ( ( ( (  @h  4@X   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  in front of      you @( (  ( ( ( (    @J  4@P   r 1 F , $p  F *p  F |  F ,  (p  F ,p  F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F   P (4 (4 (4 (4 (4 (4 (4 (4 ( (  ( ( ( (    @J  4@@2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F      D Every step    (4 (4 (4 (4 (4 (4 (  @@@( (  ( ( ( (    @J  4@@2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F ! that I take is@ @ @    another @ @( (  ( ( ( (   @R  4@@2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F mistake@ @ @   to  you @( (  ( ( ( (    @J  4@@2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F   P (4 (4 (4 (4 (4 (4 (4 (4 ( (  ( ( ( (    @J  4@@2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  @DAnd every second     (4 (4 (4 (4 (4 (4 (  @@@( (  ( ( ( (    @J  4@@2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F I waste@ @ @    Is more than   @( (  (         @R  4@@2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  I@ @ can@ @ take@ @ @ @ @ @Chorus    @Chorus @   @   @   @   @@ChorusR 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @   @        @ @   @   @  @  @@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you @ @ @ @ @ @  @@@    @ @   @   @   @   @@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *there@ @ @ Become so@ @ @ @ @ @@          @ @   @   @  @  @@ . $ * . . ( . * . $ . . * . $ . . ( .tired@ @  So much more@ @ @ @  aware@ @  @@@    @ @   @   @   @   @@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *@ @  I'm becoming@ @ @ @ @ @ @         @ @   @   @  @  @@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *this@ @  All I want@ @ @ @ to@ @  @@@    @ @   @   @   @   @@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *do@ @  Is be more@ @ @ @ like@ @ @          @ @   @   @  @  @@R 9 . $ * . . ( . * . $ . .  . / * - ( - + )me@ @  And be less@ @ @ @ like@ @      Bridge   Bridge @Bridge @   @   @   @   @String Ensemble0 P  BridgeJ 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   .   you@ @ @@@ And I know@ @ @ P      @ @   @   @  @  @P  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   $ .   @ @ @ @@I may@ @ @ @        @ @   @   @   @   @P  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   .   end@ @ up@ @ @        @ @   @   @  @  @P  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   $ .   failing@ @ @ @ @ @    @ @   @   @   @   @0 P  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   .   too@ @ @@@ But I know@ @ @ @    @ @   @   @  @  @P  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   $ .   @ @ @ @ @ @  You were@ @ @    @ @   @   @  @  @P  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   $ .    just like @ @ @ me@ @  With someone@ @ @ @     (@ @   @   @  @  @P  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   $ .    dissapointed@ @ @ @ @ in you@ @ @ @           @ @   @   @   @   @P  J 9 . $J   J  . N  4( $ 1 . (    . $  $ (  (   (  ( - + )@ @@@@Chorus    @Chorus @   @   @   @   @0 P  ChorusR 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @   @        @ @   @   @  @  @P   . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you @ @ @ @ @ @  @@@    @ @   @   @   @   @P  R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *there@ @ @ Become so@ @ @ @ @ @@          @ @   @   @  @  @P   . $ * . . ( . * . $ . . * . $ . . (  . tired@ @  So much more@ @ @ @  aware@ @  @@@    @ @   @   @   @   @0 P  R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *@ @  I'm becoming@ @ @ @ @ @ @         @ @   @   @  @  @P   . $ * . . ( . * . $ . . * . $ . . ( * $ . *this@ @  All I want@ @ @ @ to@ @  @@@       @ @   @   @   @   @P  R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *do@ @  Is be more@ @ @ @ like@ @ @            @@@@@@  @  @   @   @   @  @  @P   . $ * . . ( . * . $ . . * . $ . ( / - +me@ @  And be less@ @ @ @ like@ @      Chorus    @ @ @ @ @ @ @ @ Chorus @   @   @   @   @0 P  ChorusR 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @  @        @ @ @ @ @ @  @  @   @   @   @  @  @P   . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you `  `  `  `  `   `       @ @ @ @ @ @ @  @  @   @   @   @   @P  R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . * PI     (       @ @ @ @ @ @  @  @   @   @   @  @  @P   . $ * . . ( . * . $ . . * . $ .T 9 . ( .@     @@@    @ @ @ @ @ @ @ @  @   @   @   @   @0 P  R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @   @        @ @ @ @ @ @  @  @   @   @   @  @  @P   . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you `  `  `  `  `   `   @@@    @ @ @ @ @ @ @  @  @   @   @   @   @P  R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *Whooh@ @ @ @ @ @ @ @ PI     (       @ @ @ @ @ @  @  @   @   @   @  @  @P  R 1 . $ * . . ( . * . $ . . * . $ .T 1 . (T 1 . ( -oooh @ @ @ @ @ @ @ @      @@@@@@ @ @ @ @ @ @ @ @@@ Sampled drums R F * $R4F  R F * T4F * T F  T4F  R F * R4F  R F , R4F * R F  $R4F * T F * T4F , R F * R4F  @@@@@ @ @ @ @ @  @  @  @@@ R F * $R4F  R F * T4F * T F  T4F  R F * R4F  R F * R4F * $R F * $P4F *T F , T4F , R F * R4F  @@@@@ @ @ @ @ @ @  @ @@@ Sampled drums R F * $R4F  R F * T4F * T F  T4F  R F * R4F  R F , R4F * R F  $R4F * T F * T4F , R F * R4F  @@@@@@@@  R F * $R4F  R F * T4F * T F  T4F  R F * R4F  R F * R4F * $R F * $P4F * @@@@@@@@@@@