FICHIER GUITAR PRO v4.00n!!dd0
0YYDD
ÿÿÿÿ
ÿÿÿÿ
ÿÿÿÿ
V cIntroÿ Verse 1ÿ Chorusÿ
Pre-chorusÿ Chorusÿ BridgeÿÿGuitar (Brad Delson)?:61,%ÿÿÿÿ€Bass (Phoenix)*% (ÿÿSampler (Joseph Hahn)@;72-(ÿPiano (Mike Shinoda)@;72-&ÿSampler 3 (Low strings)+&!( ÿÿ Sampler 4@;72-(
ÿ&Drums and sampler(Rob Bourdon and Joe)
WÿLyrics (Chester)@;72-(ÿÿBackvocals (Mike Shinoda)@;72-(ÿÿ@þ@@þP^ÿÿÿÿÿÿÿÿÿ@fÿÿÿÿÿÿÿÿÿ@(ÿÿÿÿÿÿÿÿÿÿ@ @ @ @ @ @ @ @@@@@@@@@@@@@@ @ @ @þ@þ@ @@@@@@@@@@@@@ @ @ @ @ @ @ @ Pþÿ ÿÿÿÿÿÿÿÿÿþ þÿ ÿÿÿÿÿÿÿÿÿ@(@ÿÿÿÿÿÿÿÿÿÿ * # $ ,@@ ,4 * , ,4 ,4 * @@@@@@@@@@@@ @ @ @ @ @ @ @ Pþÿÿÿÿÿÿÿÿÿÿþ þÿÿÿÿÿÿÿÿÿÿ@(@ÿÿÿÿÿÿÿÿÿÿ *4# ,@@ ,4 P4 *P4 *P4 * ,4 @@@@@@@@@@@@ @ @ @ @ @ @ @ Pþÿ ÿÿÿÿÿÿÿÿÿþ@ þÿ ÿÿÿÿÿÿÿÿÿ@( @ÿÿÿÿÿÿÿÿÿÿ *4# ,@@ ,4 * , ,4 ,4 *4 @@Distortion: Fade Inÿÿÿÿÿÿÿÿ((ÿÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ ÿ ÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ @@ @ @ @ @ @ @ @ Pþÿÿÿÿÿÿÿÿÿÿþ þÿÿÿÿÿÿÿÿÿÿ@(@ÿÿÿÿÿÿÿÿÿÿ *4# , * ,4 * * * @@@@@@þ þ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@
ÿÿÿÿÿÿÿÿÿR 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *@@þ þ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@þ . $ * . . ( . * . $ . . * . $ . . ( * $ . *@@þ þ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@ÿR 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *@@þ ÿ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@
. $ * . . ( . * . $ . . * . $ . . (@@@þþ @ @ @ @ @ @ @ @ þThe verse is 98% correcth 4@þþY
ÿÿÿÿÿÿÿÿÿP Drums with sampled drumsr 1 F , $p *p F | , %p F ,p 2 F * $0 ,0 F 0 *2 F * $0 < F * %0 ,0 F 0 D! I'm tired of being what you want@ 4 @@þþ @þh 4@þÿP ÿP 2 F , $0 *0 F < , %0 F ,0 2 F $0 0 F *2 * $2 F * $0 < F , %0 0 F *0 me to be @@@@þþ@ @þT 4@þþX 2 F , $0 *0 F < , %0 F ,0 2 F * $0 ,0 F 0 *2 F * $0 < F * %0 ,0 F 0 Feeling so faithless 4@@þþ @þh 4@þþX 2 F , $0 *0 F < , %0 F ,0 2 F $0 0 F *2 * $2 F * $0 < F , %0 0 F *0 Lost under the surface @@þþ @þh 4@þþY
ÿÿÿÿÿÿÿÿÿP 2 F , $0 *0 F < , %0 F ,0 2 F * $0 ,0 F 0 *2 F * $0 < F * %0 ,0 F 0 D#"I don't know what you're expecting@ @@þþ @þh 4@þÿP ÿP 2 F , $0 *0 F < , %0 F ,0 2 F $0 0 F *2 * $2 F * $0 < F , %0 0 F *0 of me @ @@þþ@ @þT 4@þþX 2 F , $0 *0 F < , %0 F ,0 2 F * $0 ,0 F 0 *2 F * $0 < F * %0 ,0 F 0 Put under the pressure @@þþ @þh 4@þþX 2 F , $0 *0 F < , %0 F ,0 2 F $0 0 F *2 * $2 F * $0 < F , %0 4 F * 4 %$Of walking in your 0 @Clean sound: Natural harmonicÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þþP v 1 F , $p F *p F | F , %p F ,p F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * %0 F ,0 F 0 F þshoes P
ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (4 (4 ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þ@2 F , $0 F *0 F < F , %0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , %0 F 0 F *0 F D Every step@
ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 ( @@@ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þ@2 F , $0 F *0 F < F , %0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * %0 F ,0 F 0 F that I take is@ @ @ another @ @ÿÿÿÿÿÿÿÿÿ(( ( (((ÿ ÿ @þR 4@þ@2 F , $0 F *0 F < F , %0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , %0 F 0 F *0 F &%mistake to you@ @ @ @ @ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þ@2 F , $0 F *0 F < F , %0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * %0 F ,0 F 0 F þ@ P
ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (4 (4 Distortion: Fade Inÿÿÿÿÿÿÿÿ((ÿÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ ÿ ÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ ÿÿÿÿÿÿÿÿÿÿ þ @þJ 4@þ@2 F , $0 F *0 F < F , %0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , %0 F 0 F *0 F @ @ @@
ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 ( @@@þChorus þ @Chorus
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@ChorusR 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ @ þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you @ @ @ @ @ @ @@@þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *there@ @ @
Become so@ @ @ @ @ @@ þ ÿ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@
. $ * . . ( . * . $ . . * . $ . . (tired@ @
So much more@ @ @ @ aware@ @ @@@þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *@ @
I'm becoming@ @ @ @ @ @ @ þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *this@ @
All I want@ @ @ @ to@ @ @@@þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *do@ @
Is be more@ @ @ @ like@ @ @ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@ . $ * . . ( . * . $ . . * . $ . ( ( ( (me@ @ And be less@ @ @ @ like@ @ Clean sound: Natural harmonicÿÿÿÿÿÿÿÿÿ(( ( (((þ @þÿÿÿÿÿÿÿÿÿÿX 4@þþY
ÿÿÿÿÿÿÿÿÿP r 1 F , $p F *p F | F , (p F ,p F r F * $0 F ,0 F 0 F *2 F * $0 F < F * (0 F ,0 F 0 F you@ @ Can't you see that you're@ @ @ @ @ @ @@@ÿÿÿÿÿÿÿÿÿ(( ( (((þ @þX 4@þÿP ÿP 2 F , $0 F *0 F < F , (0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , (0 F 0 F *0 F
smothering me@ @ @ @ @ @ @@@ÿÿÿÿÿÿÿÿÿ(( ( (((þ@ @þT 4@þþX 2 F , $0 F *0 F < F , (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * (0 F ,0 F 0 F Holding too tightly@ @ @ @ @ Afraid @ÿÿÿÿÿÿÿÿÿ(( ( (((þ @þX 4@þþX 2 F , $0 F *0 F < F , (0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , (0 F 0 F *0 F to lose control @ÿÿÿÿÿÿÿÿÿ(( ( (((þ @þR 4@þþY
ÿÿÿÿÿÿÿÿÿP 2 F , $0 F *0 F < F , (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * (0 F ,0 F 0 F #"'Cause everything that you thought 4 @ÿÿÿÿÿÿÿÿÿ(( ( (((þ @þX 4@þÿP ÿP 2 F , $0 F *0 F < F , (0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , (0 F 0 F *0 F I would be Has<@ÿÿÿÿÿÿÿÿÿ(( ( (((þ@ @þT 4@þþX 2 F , $0 F *0 F < F , (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * (0 F ,0 F 0 F
fallen apart Right @ÿÿÿÿÿÿÿÿÿ(( ( (((þ @þh 4@þþX 2 F , $0 F *0 F < F , (0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , (0 F 0 F *0 F in front of you @ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þþP r 1 F , $p F *p F | F , (p F ,p F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * (0 F ,0 F 0 F þ P
ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (4 (4 ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þ@þ2 F , $0 F *0 F < F , (0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , (0 F 0 F *0 F D
Every step
ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 ( @@@ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þ@þ2 F , $0 F *0 F < F , (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * (0 F ,0 F 0 F ! that I take is@ @ @ another @ @ÿÿÿÿÿÿÿÿÿ(( ( (((ÿ ÿ @þR 4@þ@þ2 F , $0 F *0 F < F , (0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , (0 F 0 F *0 F mistake@ @ @ to you @ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þ@þ2 F , $0 F *0 F < F , (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * (0 F ,0 F 0 F þ P
ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (4 (4 ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þ@þ2 F , $0 F *0 F < F , (0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , (0 F 0 F *0 F @DAnd every second
ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 ( @@@ÿÿÿÿÿÿÿÿÿ(( ( ((( ÿ @þJ 4@þ@þ2 F , $0 F *0 F < F , (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F * (0 F ,0 F 0 F I waste@ @ @
Is more than @ÿÿÿÿÿÿÿÿÿ(( ( ÿ ÿ @þR 4@þ@þ2 F , $0 F *0 F < F , (0 F ,0 F 2 F $0 F 0 F *2 F * $2 F * $0 F < F , (0 F 0 F *0 F I@ @ can@ @ take@ @ @ @ @ @þChorusÿÿÿÿÿÿÿÿÿ þ @Chorus
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@ChorusR 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ @ þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you @ @ @ @ @ @ @@@þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *there@ @ @
Become so@ @ @ @ @ @@ þ ÿ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@ . $ * . . ( . * . $ . . * . $ . . ( .tired@ @
So much more@ @ @ @ aware@ @ @@@þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *@ @
I'm becoming@ @ @ @ @ @ @ þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *this@ @
All I want@ @ @ @ to@ @ @@@þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þ@R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *do@ @
Is be more@ @ @ @ like@ @ @ þ ÿ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þ@R 9 . $ * . . ( . * . $ . . . / * - ( - + )me@ @ And be less@ @ @ @ like@ @ þBridge þBridge @Bridge
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþString Ensemble0ÿÿÿÿÿÿÿÿÿP BridgeJ 9 . $J J . N 4( $ 1 . (
. $
$
.
. $
. ( . you@ @ @@@
And I know@ @ @ þÿÿÿÿÿÿÿÿÿÿP þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP J 9 . $J J . N 4( $ 1 . (
. $
$
.
. $
. ( $ . @ @ @ @@I may@ @ @ @ÿ ÿ ÿ ÿ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþP J 9 . $J J . N 4( $ 1 . (
. $
$
.
. $
. ( . end@ @ up@ @ @ÿ ÿ ÿ ÿ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP J 9 . $J J . N 4( $ 1 . (
. $
$
.
. $
. ( $ . failing@ @ @ @ @ @þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþ0ÿÿÿÿÿÿÿÿÿP J 9 . $J J . N 4( $ 1 . (
. $
$
.
. $
. ( . too@ @ @@@
But I know@ @ @ @þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP J 9 . $J J . N 4( $ 1 . (
. $
$
.
. $
. ( $ . @ @ @ @ @ @ You were@ @ @þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP J 9 . $J J . N 4( $ 1 . (
. $
$
.
. $
. ( $ .
just like @ @ @ me@ @
With someone@ @ @ @þ ÿ (@
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP J 9 . $J J . N 4( $ 1 . (
. $
$
.
. $
. ( $ .
dissapointed@ @ @ @ @ in you@ @ @ @þ
@
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP J 9 . $J J . N 4( $ 1 . (
. $
$ ( ( ( ( - + )@ @@@@þChorusÿÿÿÿÿÿÿÿÿ þ @Chorus
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþ0ÿÿÿÿÿÿÿÿÿP ChorusR 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ @ þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you @ @ @ @ @ @ @@@þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþP R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *there@ @ @
Become so@ @ @ @ @ @@ þ ÿ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP . $ * . . ( . * . $ . . * . $ . . ( . tired@ @
So much more@ @ @ @ aware@ @ @@@þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþ0ÿÿÿÿÿÿÿÿÿP R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *@ @
I'm becoming@ @ @ @ @ @ @ þ þ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP . $ * . . ( . * . $ . . * . $ . . ( * $ . *this@ @
All I want@ @ @ @ to@ @ @@@þ ÿ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþP R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *do@ @
Is be more@ @ @ @ like@ @ @ þ @@@@@@ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP . $ * . . ( . * . $ . . * . $ . ( / - +me@ @ And be less@ @ @ @ like@ @ þChorusÿÿÿÿÿÿÿÿÿ þ @ @ @ @ @ @ @ @ Chorus
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþ0ÿÿÿÿÿÿÿÿÿP ChorusR 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @ @ þ þ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you ` ` ` ` ` ` þ þ þ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþP R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *þ PIÿÿÿÿÿÿÿÿÿ ( þ ÿ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP . $ * . . ( . * . $ . . * . $ .T 9 . ( .@ @@@þ þ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþ0ÿÿÿÿÿÿÿÿÿP R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ @ þ þ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you ` ` ` ` ` ` @@@þ þ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @
@þþP R 1 . $P *P .T . (P .P *R . $P . . * . $ . . ( * $ . *Whooh@ @ @ @ @ @ @ @ PIÿÿÿÿÿÿÿÿÿ ( þ ÿ @ @ @ @ @ @ @ @
ÿÿÿÿÿÿÿÿÿ@ @ @ @ @þþP R 1 . $ * . . ( . * . $ . . * . $ .T 1 . (T 1 . ( -oooh @ @ @ @ @ @ @ @ @@@@þ@@ @ @ @ @ @ @ @ @@þ@
Sampled drumsÿ
ÿÿÿÿÿÿÿÿÿR F * $R4F R F * T4F * T F T4F R F * R4F R F , R4F * R F $R4F * T F * T4F , R F * R4F @@@þ@@ @ @ @ @ @ @ @ @@þ@ÿ
ÿÿÿÿÿÿÿÿÿR F * $R4F R F * T4F * T F T4F R F * R4F R F * R4F * $R F * $P4F *T F , T4F , R F * R4F @@@þ@@ @ @ @ @ @ @ @ @@þ@
Sampled drumsÿ
ÿÿÿÿÿÿÿÿÿR F * $R4F R F * T4F * T F T4F R F * R4F R F , R4F * R F $R4F * T F * T4F , R F * R4F @@@þ@@@@þ@
ÿ
ÿÿÿÿÿÿÿÿÿR F * $R4F R F * T4F * T F T4F R F * R4F R F * R4F * $R F * $P4F * @@@þ@@@@þ@@@@