FICHIER GUITAR PRO v3.00Jumping Someone Else's Train The CureBoys Don't Cry"!L. Tolhurst, M. Dempsey, R. Smith1979 Elektra/Asylum Records wereworm)  !                                                             Verse 1lB Verse 2^A Verse 3g BridgeN Verse 4k@,Outro`Vocals5@;72-(Guitar 1@;72-(Guitar 2@;72-(Bassk 3+&!-(B Percussion W@ Tempo 180 bpm(((D Tempo 180 bpmD Tempo 180 bpmD Tempo 180 bpm@   @@@@   @@@@   @@@@ (Some fret noise here)   @x~>>>>>>P @@@@@~      F#m~           A|         @@@@ Dx        x                @@@@ .-Riff 1 (bars 2-9) is played 3x before Verse 1@~      ~          |         @@@@ x        x                A@F#m~      ~      @@@@~      ~          |         ~      @@@ x        x                ~""""""~      ~      D%$The F#m hits are played a bit softer@@@ C#m|      |      |      |     |     |     P @@@ |      |      |      |     |     |     @@A` & %@ .@@~      ~          |         @F#m |      @ Bass Riff 1@ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                @@ @ @@ @@ @ @ B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |         @|      @@ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                @@ @ @@ @@ @ @ B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |         @|      @@ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                P @ @ @@ @@ @ @ b , * $@ .j , * & $@ .` , *B . $h , * &H . &@ |      |      |      |     |     |     @Riff 2@"@@ @@ @ @f , * 7 $D . 7h , * &@ .b , * $B . $h , * &@ .@ |      |      |      |     |     |     @A@ A b , * $P . 2j , * & $P . 2b , * $P . 2H , &H . & &@@~      ~          |               Riff 1 lowered an octave @ ""@ F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                        @ @   B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |            @Dsus2|     |      @ ""@ F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                |       @ @   B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |                @ ""@ F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                        @ @   b , * $@ .j , * & $@ .` , *B . $h , * &H . &@ |      |      |      |     |     |        @C#ms2 x     x      f , * 7 $D . 7h , * &@ .b , * $B . $h , * &@ .@ |      |       Tempo 182 bpm|      |     |     |     x      A b , * $P . 2j , * & $P . 2b , * $P . 2H , &H . & &PDon't say what you mean "@       Bm@|     |     Riff 2|     |     |     D Tempo 182 bpm Riff 3"@"D Tempo 182 bpm @ @ @ Tempo 182 bpmF , 7 $D . 7H , &@ .B , $B . $H , &@ . You might spoil your face  "@"@  @|     |     |     |     |     @ "@"@ @ @ @B , $@ .J , & $@ .@ ,B . $H , &H . & "@If you walk in the crowd       F#m @|      |      |      |      |      @  "@ "@ @ @ @F , 7 $D . 7H , &@ .B , $B . $H , &@ . You won't leave any trace  "@      A @x    x    x    x    x    @@ @  @   b , * $P . 2j , * & $P . 2h , * &R . 2 $h , * &H . & &"AIt's always the same      D@<    <    <    <    <    @  "@ "@ @ @ @F , 7 $D . 7H , &@ .B , $B . $H , &@ . "@You're jumping some- "@ "@ @|     |     |     |     |     @ "@"@ @ @ @b , * $@ .j , * & $@ .` , *B . $h , * &H . &  one else's "@ " +*Riff 1 (played once before Verse 2 starts)@~      ~          |               variant of Riff 1 @ @ @  F , 7 $D . 7H , &@ .B , $B . $H , &@ .train  x        x                        @ @   B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |            @|     |      @ ""@ F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                |       @ @   B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |                @ @ @  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                        @ @   b , * $@ .j , * & $@ .` , *B . $h , * &H . &@ |      |      |      |     |     |        @x     x      "@ @ F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ |      |       Tempo 184 bpm|      |     |     |     x     " A b , * $P . 2j , * & $P . 2h , * &R . 2 $h , * &H . & &PIt won't take you long "@     Riff 2@|     |     |     |     |     D Tempo 184 bpm Riff 3"@"D Tempo 184 bpm @ @ @ Tempo 184 bpmF , 7 $D . 7H , &@ .B , $B . $H , &@ . to learn the new smile  "@"@  @|     |     |     |     |     @ "@"@ @ @ @B , $@ .J , & $@ .@ ,B . $H , &H . & "@You'll have to adapt or      @|      |      |      |      |      @  "@ "@ @ @ @F , 7 $D . 7H , &@ .B , $B . $H , &@ . you'll be out of style  "@    @x    x    x    x    x    @@ @  @  F , 7 $D . 7H , &@ .B , $B . $H , &@ ."AIt's always the same     @<    <    <    <    <    @  "@ "@ @ @ @B , $@ .J , & $@ .@ ,B . $H , &H . & "@You're jumping some- "@ "@ @|     |     |     |     |     @ "@"@ @ @ @f , * 7 $D . 7h , * &@ .b , * $B . $h , * &@ .  one else's "@ " Riff 1@~      ~          |         @Riff 1@ @@  "@"@@  B , $@ .J , & $@ .@ ,B . $H , &H . &train  x        x                @@ @ @@ @@ @ @ F , 7 $D . 7H , &@ .B , $B . $H , &@ .@@~      ~          |         @@ @@  "@"@@  B , $@ .J , & $@ .@ ,B . $H , &H . &@ x        x                @@ @ @@ @@ @ @ F , 7 $D . 7H , &@ .B , $B . $H , &@ .@@~      ~          |         @@ @@  "@"@@  B , $@ .J , & $@ .@ ,B . $H , &H . &@ x        x                @@ @ @@ @@ @ @ f , * 7 $D . 7h , * &@ .b , * $B . $h , * &@ .@ |      |      |      |     |     |     @Riff 2@"@@ @@ @ @B , $@ .J , & $@ .@ ,B . $H , &H . &@ |      |       Tempo 186 bpm|      |     |     |     @A@ A b , * $P . 2j , * & $P . 2h , * &R . 2 $H , &H . & &T If you pick@ @ @ @ Variant of Riff 2@x    x    x    x    x    x    x    D Tempo 186 bpm Riff 4 "@ "D Tempo 186 bpm @ @   Tempo 186 bpm 7D . 7@ $@ $@ 7D . 7up on it quick@ @ @  "@ E#m@x    x    x    x    x    x    x    @  "@ "@ @ @  $@ $@ $ 7D . 7@DYou can say you were there@ @ @     Fmm@x    x    x    x    x    x    x    @  "@ "@ @ @  $@ $@ 7D . 7@ AA-@  F#m@x    x    x    x    x    x    x    @  "@ "@ @ @   $@ $@ 7D . 7 $ $ $gain and again and a-@"@@ @ @"@@ @ @<    <    <    <    <    @ @"@@"@@ @@ @@"@F , 7 $D . 7H , &@ .@ ,B . $H , &H . &gain, you're jumping someone@"@@ @ @ @ @  E#m @<    <    <     Fmm @<    <    <    @@  @@  @@  @@  @@  @@  @@  @@  @F , 7 $D . 7H , &@ .@ ,B . $H , &H . &@  else's train@"@  " Riff 1 (played 3x)@~      ~          |               variant of Riff 1 @ @ @  F , 7 $D . 7H , &@ .B , $B . $H , &@ . "@ x        x                        @ @   B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |            @|     |      @ ""@ F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                |       @ @   B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |                @ @ @  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                        @ @   b , * $@ .j , * & $@ .` , *B . $h , * &H . &@ |      |      |      |     |     |        @x     x      "@ @ f , * 7 $D . 7h , * &@ .b , * $B . $h , * &@ .@ |      |      |      |     |     |     x     " A b , * $P . 2j , * & $P . 2h , * &R . 2 $H , &H . & &@@~      ~          |                @ @ @  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                        @ @   B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |                @ @ @  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                        @ @   B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |                @ @ @  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                        @ @   b , * $@ .j , * & $@ .` , *B . $h , * &H . &@ |      |      |      |     |     |     x      "@ @ f , * 7 $D . 7h , * &@ .b , * $B . $h , * &@ .@ |      |      |      |     |     |     x     " A b , * $P . 2j , * & $P . 2h , * &R . 2 $H , &H . & &@It's the latest wave@ @ @ @"@@  Riff 2@|     |     |     |     |     @ Riff 3 variant"@"@ @ @ @F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ that you've been craving for@ @ @ @  "@ @|     |     |     |     |     @ "@"@ @ @ @B , $@ .J , & $@ .@ ,B . $H , &H . & "A The old ideal @  "@ @|      |      |      |      |      @  "@ "@ @ @ @F , 7 $D . 7H , &@ .B , $B . $H , &@ . was getting such a bore    "@ @x    x    x    x    x    @@ @  @  B , $@ .J , & $@ .@ ,B . $H , &H . & Now you're back@ @"@@   Tempo 184 bpm@<    <    <    <    <    D Tempo 184 bpm  Tempo 184 bpm "@ "@ @ @ @ Tempo 184 bpmF , 7 $D . 7H , &@ .B , $B . $H , &@ .@  in line going@"@@ @ @  @|     |     |     |     /.Riff 4 (like Riff 2 but with different chords)|     @ "@"@ @ @ @b , * $@ .j , * & $@ .` , *B . $h , * &H . &not quite as far but in@ @ @ @   @|     |     |     |     |     @ "@"@ @ @ F , 7 $D . 7H , &@ .B , $B . $H , &@ . half the time@"@@ @"@  A#m@<    <    <    <    <    <    @ "@"@ @ @ B , $@ .J , & $@ .@ ,B . $H , &H . &Everyone's happy they're@ @ @"@@  "@  G#m@~      ~      ~      ~      ~      ~      @ "@"@ @ @ F , 7 $D . 7H , &@ .B , $B . $H , &@ .finally all the@"@@ @  "@ @~      ~      ~      ~      ~      ~      @ "@"@ @ @ @B , $@ .J , & $@ .@ ,B . $H , &H . &  "Esame  E#m@~      ~      ~      ~      ~      ~      @ "@"@ @ @ F , 7 $D . 7H , &@ .B , $B . $H , &@ .'cause everyone's jumping @   "@@  "@@ ~      ~      ~      ~      ~      ~      @ "@ @      b , * $P . 2j , * & $P . 2h , * &R . 2 $H , &X . 2 & 2 &@ everyone else's @  "@@"@  Riff 1 (played 2x before outro)@~      ~          |         @Riff 1@ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .train "@   x        x                @@ @ @@ @@ @ @ B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |         @@ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                @@ @ @@ @@ @ @ B , $@ .J , & $@ .@ ,B . $H , &H . &@@~      ~          |         @@ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .@ x        x                @@ @ @@ @@ @ @ b , * $@ .j , * & $@ .` , *B . $h , * &H . &@ |      |      |      |     |     |     @Riff 2@"@@ @@ @ @f , * 7 $D . 7h , * &@ .b , * $B . $h , * &@ .@ |      |      |      |     |     |     @A@ A b , * $P . 2j , * & $P . 2h , * &R . 2 $H , &H . & &$Jumping someone   `    @~      ~          |               Riff 1@ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .$ else's      x        x                      @ @ @@ @@ @ @ B , $@ .J , & $@ .@ ,B . $H , &H . &$Jumping someone   `    @~      ~          |            @|     |     @ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .$else's      x        x                |     @ @ @@ @@ @ @ B , $@ .J , & $@ .@ ,B . $H , &H . &$Jumping someone   `    @~      ~          |         @@ @@  "@"@@  F , 7 $D . 7H , &@ .B , $B . $H , &@ .$else's train---      x        x                @@ @ @@ @@ @ @ f , * 7 $D . 7h , * &@ .b , * $B . $h , * &@ .  |      |      |      |     |     |     @ Riff 5@ @@ @@ @@"@@"@@ b , * $@ .j , * & $@ .` , *B . $h , * &H . &  |      |      |      |     |     |     @@ @ @  @ @  @@  b , * $P . 2j , * & $P . 2h , * &R . 2 $H , &H . & &@@@@B  $B  $H  &H  &B  $B  $H  &H  &@@@+*Riff 6 (repeated for the rest of the song)      @ B  $B  $H  &H  &B  $B  $H  &H  &@@@       B  $B  $H  &H  &B  $B  $H  &H  &@@@      @ B  $B  $H  &H  &B  $B  $H  &H  &@@@       B  $B  $H  &H  &B  $B  $H  &H  &Jumping someone "@""@ @       @ B  $B  $H  &H  &B  $B  $H  &H  & else's train  @ "@             B  $B  $H  &H  &B  $B  $H  &H  & @       @ B  $B  $H  &H  &B  $B  $H  &H  &@@ A       B  $B  $H  &H  &B  $B  $H  &H  &Jumping someone "@""@ @Fade out slowly       @ B  $B  $H  &H  &B  $B  $H  &H  & else's train  @ "@              B  $B  $H  &H  &B  $B  $H  &H  & @ Fade out gradually      @ B  $B  $H  &H  &B  $B  $H  &H  &@@ A       B  $B  $H  &H  &B  $B  $H  &H  &@@        @ B  $B  $H  &H  &B  $B  $H  &H  &@@             B  $B  $H  &H  &B  $B  $H  &H  &@@        @ B  $B  $H  &H  &B  $B  $H  &H  &@@ A       B  $B  $H  &H  &B  $B  $H  &H  &@@@       @ B  $B  $H  &H  &B  $B  $H  &H  &@@@       B  $B  $H  &H  &B  $B  $H  &H  &@@@      @ B  $B  $H  &H  &B  $B  $H  &H  &@@@       B  $B  $H  &H  &B  $B  $H  &H  &@@@ B  $B  $H  &H  &B  $B  $H  &H  &